It could be argued that musician’s creativity, and even creativity in general, exists in a limited and limitless dialogue with oneself, with theoretical concepts and the (artistic) material. As a scientist and an artist, as an engineer and a bricoleur, as a creator and a destroyer, the performer-researcher chooses (or chooses not to choose) between a vast array of (im)possibilities – and that in itself is a constraint, often to the point of extending the limits of existing forms of expression.
Hendrik Vanden Abeele
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